Responsible for masterworks in their youth, haven’t had the careers that These filmmakers, among the best of the time, Materre, included films by Julie Dash, Fronza Woods, Kathleen Collins, Series of the year, “ One Way or Another: Black Women’s Cinema, 1970–1991,” programmed for BAM Cinématek by Nellie Killian and Michelle More so for women of color, who have faced, both in the corridors of theīusiness and in the columns of critical consideration, a double dose of It has always been so for women in the movie industry, and it is all the Powerful men abusing their power for their own pleasure and advantage. Intimidated, silenced, or otherwise detached from the industry by Positions, had their careers derailed when they were threatened, Movies, who were already acting or writing or fulfilling other creative Up to directing, producing, or other notable activities in the world of The year’s best movies has gaps-of the movies, performances, and otherĬreations that are missing because they are unrealized, unrealizedīecause the women (and, yes, also some men) who were working their way It’s true every year, but all the more conspicuous now, that any list of Moral, and political implications that are inseparable from aesthetic Prevented Weinstein’s abuses from coming to light, and which inflictedĪdditional emotional and professional abuses on the victims, have legal, The prevalence of sexual abuse, and the network of complicity that

The movie business, and, for that matter, in other arts and industries, The women and men who had been abused by him or other powerful men in Revelation, in the Times and The New Yorker, of sexual abuse by Harvey Weinstein, and the resulting liberation of the long-stifled voices of

In 2017, the most important event in the world of movies was the

Best movies 2017 first semester